MOOD
Willem de Kooning
A saucer repaired with kintsugi. Kintsugi event, Daiwa Anglo-Japanese Foundation, London, UK, January 24, 2014. Kintsugi literally means “joining with gold”: a technique to piece together broken pottery or glass with lacquer, rice-glue and gold.
https://m.youtube.com/watch?v=aYL4TyV1YDk
CW070901a_APOC_ 336
Weeping Woman 1937 Pablo Picasso 1881-1973 Accepted by HM Government in lieu of tax with additional payment (Grant-in-Aid) made with assistance from the National Heritage Memorial Fund, the Art Fund and the Friends of the Tate Gallery 1987 http://www.tate.org.uk/art/work/T05010
OLYMPUS DIGITAL CAMERA
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Working Title/Artist: Dress
Department: Costume Institute
Culture/Period/Location:
HB/TOA Date Code: 11
Working Date: 1989
mma digital photo: DP108255
Issey Miyake Fahion Show Ready to Wear Collection Spring Summer 2016 in Paris
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US Debt Ceiling 2012 visualized
US Debt Ceiling 2012 visualized
Working Title/Artist: Laurette in a Green Robe (Black Background)
Department: Modern Art
Culture/Period/Location:
HB/TOA Date Code:
Working Date: 1916
photography by mma 1988, transparency #4ad
scanned and retouched by film and media (jn) 1_13_05
Working Title/Artist: Snow Flowers
Department: Modern Art
Culture/Period/Location:
HB/TOA Date Code:
Working Date: 1951
photography by Malcolm Varon 1988, transparency #5ad
scanned and retouched by film and media (jn) 1_14_04
Working Title/Artist: Blue Nude
Department: Modern Art
Culture/Period/Location:
HB/TOA Date Code: 11
Working Date: 1952
mma digital photo #DP102810
Henri Matisse: Icarus, plate VIII in his book Jazz, 1947; from the Morgan Library and Museum’s recent exhibition ‘Graphic Passion: Matisse and the Book Arts’
Working Title/Artist: Tea infuser and strainer
Department: Modern Art
Culture/Period/Location:
HB/TOA Date Code:
Working Date: ca. 1924
photography by mma 2000, transparency #5
scanned and retouched by film and media (jn) 1_19_05
George Condo
ROTHKO
“I’m interested only in expressing basic human emotions— tragedy, ecstasy, doom, and so on. And the fact that a lot of people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions. If you are moved only by their color relationships, then you miss the point.” – Mark Rothko
Feel human emotions in color:
Light Red Over Black 1957 // Mark Rothko
Black on Maroon 1958 // Mark Rothko
Untitled c.1950-2 // Rothko
LAURIE SIMMONS
Edward Hopper: Office in a Small City
My current mood-board:
PAINT.
The best painter in history– Edward Hopper:
PSYCHOLOGY.
FAITH.
DREAM.
CONSUME.
DESIGN.
